Variable Transition Lengths are useful for prints when you're using filaments that are very different from each other in terms of color strength. Color strength plays an important role in determining transition length and getting clean prints free of color bleed.
For example, while it may take a 200 mm transition length to go cleanly from black to white, it might only take 100 mm to go the other way around from white to black. This is because black is a strong color while white is weak.
With the use of variable transition lengths, you can therefore reduce the amount of filament waste by optimizing transition lengths for each filament. Rather than setting overall transition lengths of 200mm, a strong color such as black can be assigned a transition length of 200 mm while a weak color such as white or yellow can be assigned 100 mm.
To use this feature, select a color from your tool box and click Splice and transition > Transition lengths.
This will open the Transition Lengths screen, where you can enable Use variable transition lengths. The transition length that is used between these filaments should be adjusted based on the two colors' strengths. When transitioning from a weak color to strong color, it will use the Maximum transition length. The Minimum transition length would be used when transitioning from strong to weak.
In this project below, for the white and yellow filament, we'd select Weak and for the black and red filament, we'd select Strong. This will use less filament when transitioning to black and red, and more filament when transitioning to white and yellow. You have a fixed amount of space to transition on your transition tower and by setting colors to be strong or weak, you dictate how much of that layer on the transition tower should be used to change between colors.
You can also enable Advanced configuration options which would allow you to specify the transition lengths for each filament. The grid positioned so that you can set the transition length from the outgoing filament to the ingoing filament. In this instance, we would use 100 mm to transition from white to black and 200 mm when transitioning from black to white:
The most common scenarios to use variable transitions are:
- If you're using a very strong color with a very weak color (ex. black bleeding into white). In this case, set black as 'strong' and white as 'weak' as it will take very little space to transition from white to black but more to transition in the opposite manner. Setting these colors to the appropriate strength will allow you to allocate space properly on your transition tower.
- If you're using two strong colors and one bleeds into another (ex. black bleeding into red). We would recommend setting black as 'strong' and red as medium ('-').
- If you're using two strong colors and both bleed into another color (ex. black and red bleeding into white). In this instance, the best solution is to increase the transition length as you would require more space for both strong colors to fully purge to the next color.
If you have any additional questions, please send us a message at support@mosaicmfg.com.
15 Comments
I have a problem when I use variable lenght all the colour is messed up. But when I dont use it. Its perfect . Why is this happening ? and my E steps it calibrated.
Teezer - Reply
What do you mean by, messed up? Like the colors are in the wrong shots or there is significant bleed?
What I did for the black to white transition is add a white block to my Print for extra transition space. It's not the most economic way to do it, but just using the transition tower at max length was not enough. So I lowered it to 250. It works wonderfully now.
Vitaliy Dvorkin -
Would you mind sending a screenshot of your Variable Transitions page to support@mosaicmfg.com along with pictures of your prints?
Jonny Yeu -
@jonnyyeu from black to White its 250mm and from White to black its 130mm
Teezer -
What are your variable transition lengths set to? If they are too low, it could be that there's not enough space on the tower to transition properly between colors.
Jonny Yeu -