Unable on a new project to transfer splice setting choice to palette

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Printing and Calibration

Printing guides and calibration resources for Palette 3

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Benoit Lussier @bluss

Rep: 13

Posted: Feb 27, 2022

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Unable on a new project to transfer splice setting choice to palette

I got my Palette 3 last Wednesday night. I did on palette 3 pro the splice setting for PLA/PLA. I am satisfied with 1-2-1 or 2-2-2. In both cases the joint is very strong. On Canvas, I entered the Material “PLA/default material” and in splice setting I entered 1-2-1 in the first trial and in the second trial 2-2-2. In the project (bicolour 3D benchy) under the colour circles, I did select this material and in splice setting under it. I save again the setting 1-2-1 or 2-2-2. I transferred the file successfully to the palette 3 Pro. However in both trial the joint remains weak (as the initial setting 0-0-0. The joint is failing right in between the first white to red transition.. I am unable on a new project to transfer splice setting choice to paletteProblems With 3D Benchy 2 Colors

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Find attached a Word document and 4 pictures

Feb 27, 2022 by Benoit Lussier

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Hana @hana Rep: 3.1k · Answer 1 · 2022-02-28T11:57:42-07:00

Hana @hana

Rep: 3.1k

Posted: Feb 28, 2022

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Hey Benoit! Unfortunately it is not currently a feature in Palette to save your splice tuning settings and it something that our team is currently working on! You must set it on your Palette before beginning the print. Sorry for the inconvenience.

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Benoit Lussier @bluss Rep: 13 · Answer 2 · 2022-02-28T20:29:29-07:00

Benoit Lussier @bluss

Rep: 13

Posted: Feb 28, 2022

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It is not the point. Maybe I wasn’t clear enough in my problem. I was able to do the calibration printing. Now I am trying to print from Canvas a new project. I saved in Canvas set-up the following information: material “PLA/default material” and “splice setting” the values 1-2-1 and after the 2-2-2. In Canas under the colour circles, I selected the PLA/default material and I reconfirmed the splice setting 1-2-1 and after2-2-2 and push the save button. Those 2 settings were giving go results when I was testing them directly from the Palette 3 Pro. However when I transmit this new project to the Palette (bicolour 3D benchy) the joints made by the Palette 3 is very poor. As bad as the initial setting 0-0-0 when I opened it for the first time. In conclusion, the setting is well set in Canvas in set-up and in the project. However when I transmuted the project is like the setting is lost and do know follow the project. It is like reset to 0-0-0. How come? I need help. I do not know what else to do to print my 3D bench properly.

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Can you download and view the .json files in the compressed archive? You should be able to see what the splice settings are in the file.

Feb 28, 2022 by Ben M

Unfortunatly, I don't know how to get access to the compressed archive.

Mar 1, 2022 by Benoit Lussier

At least on Linux, the .mafx file Pallet uses can be opened by Archive Manager. I would assume 7zip can do the same thing

Mar 1, 2022 by Ben M

I attached the view of the 3DBenchy.mcfx file through 7zip. I opened the palette.json file also. See attached word document. I don't know where is supposed to be stock the code for heat, compression and cooling for the joint.

Mar 1, 2022 by Benoit Lussier

I need help from someone from MosaÏc. Again I followed up to know Mosaïc instructions and that doesn't work. I created a new material profile PLA/Default material with the setting 1-2-1. In my project 3DBenchy I selected the above material profile with the above joint setting. I sent from Canvas the file to the Palette and push print from Canvas. All jointsare very weak and are failling. The joint are like with the original configuration 0-0-0. Its look like Canvas doesn't transmit the joint setting configuration to the Palette 3. What do I have to do know. I test sucessfully the 1-2-1 and 2-2-2 joints configuration by the test splice setting from the Palette 3 menu. I was able also to print the project named default set-up calibration.

Mar 1, 2022 by Benoit Lussier

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